Lionel Shriver - We need to talk about Kevin
The gripping international bestseller about motherhood gone awry
Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
'an outstanding reading by Lorelei King who captures all the anger, shock, dismay - but never denial - that Eva Khatchadourian experiences when her 15-year-old son slays nine people at his high school. 'Gripping' is an over-used adjective - but not here, as Eva explores her feelings in a series of letters to the husband who hasn't lived with her since the day of the killings.' (Kati Nicholl DAILY EXPRESS )
'This icily forensic, deeply disturbing story takes the form of letters from the mother of a brilliant, evil, teenage murderer to her husband, recounting her prison visits and remembering the circumstances of his upbringing. Lorelei King is the queen of readers: she brings to this performance sharp intelligence and a perfect, weary restraint, building up to the fearsome denouement that freezes the blood.' (Sue Gaisford INDEPENDENT ON SUNDAY )
'may work better as an abridged audiobook than as a novel. Some critics have said that Shriver overwrites but there doesn't seem to be a wasted word as Lorelei King narrates the harrowing tale of a 15-year-old archer who kills seven of his classmates.' (Christina Hardyment THE TIMES )
'Lorelei King is once again the consummate reader. There is no faulting her performance, as she brings every character to life, making you feel the horror that is central to this story.' (Emma Fisher OTTAKARS (staff review) )
'brilliant, especially Lorelei King's reading.' (Sue Arnold GUARDIAN )
'This icily forensic, deeply disturbing story takes the form of letters from the mother of a brilliant, evil, teenage murderer to her husband, recounting her prison visits and remembering the circumstances of his upbringing. Lorelei King is the queen of readers: she brings to this performance sharp intelligence and a perfect, weary restraint, building up to the fearsome denouement that freezes the blood.' (Sue Gaisford INDEPENDENT ON SUNDAY )
'may work better as an abridged audiobook than as a novel. Some critics have said that Shriver overwrites but there doesn't seem to be a wasted word as Lorelei King narrates the harrowing tale of a 15-year-old archer who kills seven of his classmates.' (Christina Hardyment THE TIMES )
'Lorelei King is once again the consummate reader. There is no faulting her performance, as she brings every character to life, making you feel the horror that is central to this story.' (Emma Fisher OTTAKARS (staff review) )
'brilliant, especially Lorelei King's reading.' (Sue Arnold GUARDIAN )
The Movie – 80% by Rotten Tomatoes
A suspenseful and gripping psychological thriller, Lynne Ramsay's We Need to Talk About Kevin explores the factious relationship between a mother and her son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller). Based on the best-selling novel of the same name, We Need to Talk About Kevin explores nature vs. nurture on a whole new level as Eva's own culpability is measured against Kevin's innate evilness. -- (C) Oscilloscope
